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Fulk

Sounds German

Popular Music in Postwar Germany at the Crossroads of the National and Transnational

Medium: Buch
ISBN: 978-1-78920-740-8
Verlag: Berghahn Books
Erscheinungstermin: 01.11.2020
Lieferfrist: bis zu 10 Tage
For decades, Germany has been shaped and reshaped by the sounds of popular music—whether viewed as uniquely German or an ideological invader from abroad. This collected volume brings together leading figures in the field of German Studies, popular music studies, and cultural studies at large to survey the sociopolitical impact of music on conceptions of the German state and national identity, gender and sexuality, and transnational cultural production and consumption, expanding on the ways in which sounds, technologies, media practices, and exchanges of popular music provide a unique glimpse into the cultural dynamics of postwar Germany.

Produkteigenschaften


  • Artikelnummer: 9781789207408
  • Medium: Buch
  • ISBN: 978-1-78920-740-8
  • Verlag: Berghahn Books
  • Erscheinungstermin: 01.11.2020
  • Sprache(n): Englisch
  • Auflage: 1. Auflage 2020
  • Produktform: Gebunden, HC gerader Rücken kaschiert
  • Gewicht: 417 g
  • Seiten: 140
  • Format (B x H x T): 157 x 235 x 14 mm
  • Ausgabetyp: Kein, Unbekannt

Autoren/Hrsg.

Herausgeber

Fulk, Kirkland A.

Kirkland A. Fulk is an assistant professor in the Department of Germanic Studies at the University of Texas at Austin. He has published on topics such as photography and postcolonialism, neoliberalism and neocolonialism, West German science fiction, and German-American transnational musical exchanges.

Introduction: Into the Music Rooms

Kirkland A. Fulk

Chapter 1. Licht aus–Spot an: How Schlager (ZDF 1969–1984) Beat Disco (ZDF 1971–1982)

Sunka Simon

Chapter 2. The Birth of Autotune and the Loop of (West) German Identity

Cyrus Shahan

Chapter 3. Wenn eine Band lange Zeit lebt: Pudhys, Politics, and Popularity

John Littlejohn

Chapter 4. DIY, im Eigenverlag: East German Tamizdat LPs

Seth Howes

Chapter 5. Poetry of an Alien: Black Tape, Silo Nation, and the Historiography of German Hip-Hop’s Alte Schule

Kai-Uwe Werbeck

Chapter 6. Death in June and the Apoliteic Specter of Neofolk in Germany

Mirko M. Hall

Chapter 7. Knitted Naked Suits and Shedding Skins: The Body Politics of Popfeminist Musical Performances in the Twenty-first Century

Maria Stehle

Chapter 8. Searching for the Young Soul Rebels: On Writing, New Wave, and the Ends of Cultural Studies

Richard Langston