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Hight / Sampson

Colonialist Photography

Imag(in)ing Race and Place

Medium: Buch
ISBN: 978-0-415-27496-8
Verlag: Taylor & Francis
Erscheinungstermin: 01.07.2004
Lieferfrist: bis zu 10 Tage
Colonialist Photography is an absorbing collection of essays and photographs exploring the relationship between photography and European and American colonialism. The book is packed with well over a hundred captivating images, ranging from the first experiments with photography as a documentary medium up to the decolonization of many regions after World War II.

Reinforcing a broad range of Western assumptions and prejudices, Eleanor M. Hight and Gary D. Sampson argue that such images often assisted in the construction of a colonial culture.

Produkteigenschaften


  • Artikelnummer: 9780415274968
  • Medium: Buch
  • ISBN: 978-0-415-27496-8
  • Verlag: Taylor & Francis
  • Erscheinungstermin: 01.07.2004
  • Sprache(n): Englisch
  • Auflage: 1. Auflage 2004
  • Serie: Documenting the Image
  • Produktform: Kartoniert
  • Gewicht: 541 g
  • Seiten: 352
  • Format (B x H x T): 174 x 243 x 19 mm
  • Ausgabetyp: Kein, Unbekannt

Autoren/Hrsg.

Herausgeber

Hight, Eleanor M

Sampson, Gary D

1 Introduction: Photography, “race”, and post-colonial theory 2 Laying ghosts to rest 3 Rewriting the Nubian figure in the photograph: Maxime Du Camp’s “cultural hypochondria” 4 “A pure labor of love”: A publishing history of The People of India 5 Unmasking the colonial picturesque: Samuel Bourne’s photographs of Barrackpore Park 6 Picturing alterity: Representational strategies in Victorian type photographs of Ottoman men 7 The many lives of Beato’s “beauties” 8 Colonial collecting: French women and Algerian cartes postales 9 Photography and the emergence of the Pacific cruise: Rethinking the representational crisis in colonial photography 10 Advertising paradise: Hawai‘i in art, anthropology, and commercial photography 11 Capturing race: Anthropology and photography in German and Austrian prisoner-of-war camps during World War I 12 Germaine Krull and L’Amitié noire: World War II and French colonialist film 13 “A better place to live”: Government agency photography and the transformations of the Puerto Rican Jíbaro