Writer on the Run

This book-series, initiated in 1992, has an interdisciplinary orientation; it is published in English and German and comprises research monographs, collections of essays and editions of source texts dealing with German-Jewish literary and cultural history, in particular from the period covering the 18th to 20th centuries. The closer definition of the term German-Jewish applied to literature and culture is an integral part of its historical development. Primarily, the decisive factor is that from the middle of the 18th century German gradually became the language of choice for Jews, and Jewish authors started writing in German, rather than Yiddish or Hebrew, even when they were articulating Jewish themes. This process is directly connected an historical change in mentality and social factors which led to a gradual opening towards a non-Jewish environment, which in its turn was becoming more open. In the Enlightenment, German society becomes the standard of reference – initially for an intellectual elite. Against this background, the term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that explicit or implicit Jewish themes, motifs, modes of thought or models can be identified in them.
From the beginning of the 19th century at the latest, however, the image of Jews in the work of non-Jewish writers, determined mainly by anti-Semitism, becomes a factor in German-Jewish literature. There is a tension between Jewish writers’ authentic reference to Jewish traditions or existence and the anti-Semitic marking and discrimination against everything Jewish which determines the overall development of the history of German-Jewish literature and culture. This series provides an appropriate forum for research into the whole problematic area.This is the first academic treatment of the life and work of the German-Jewish writer, Henry William Katz (1906-1992), who was exiled from Nazi Germany in 1933. From a combined literary, historical, biographical and sociological perspective, Ena Pedersen analyses Katz's depiction of the Eastern European Jews in Galicia, Weimar Germany and in exile, focusing on the problems of anti-Semitism, assimilation, German-Jewish symbiosis, and Jewish identity in the Diaspora. Narratorial technique and structuring principles of his works are examined carefully as is the development of themes and characters from his early journalism through to his later fiction. The book further contains the first biography of Katz's life, based on interviews with friends and relatives of Katz in Germany, France and the USA, as well as an analysis of his journalistic articles and political engagement with the SPD in the context of the crisis of left-wing journalism towards the end of the Weimar Republic. Through comparisons with contemporary Weimar journalists such as Alfred Polgar and Kurt Tucholsky, as well as Jewish and non-Jewish writers in exile such as Joseph Roth, Martin Beradt, Lion Feuchtwanger and Ernst Glaeser, Katz is placed within the body of Weimar journalism, German exile literature, and Jewish ghetto literature. Through her analysis of his works, Ena Pedersen shows how Katz conforms to the patterns of German-Jewish exile literature yet stands out from his contemporaries through his focus on the Eastern European Jews, describing in a uniquely personal and yet often sarcastic and critical way the particular concerns and dilemmas of this minority within the German-Jewish community at the time.