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Wang

Revolutionary Cycles in Chinese Cinema, 1951¿1979

Medium: Buch
ISBN: 978-1-349-47847-7
Verlag: Palgrave Macmillan US
Erscheinungstermin: 17.07.2014
Lieferfrist: bis zu 10 Tage
A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema.

Produkteigenschaften


  • Artikelnummer: 9781349478477
  • Medium: Buch
  • ISBN: 978-1-349-47847-7
  • Verlag: Palgrave Macmillan US
  • Erscheinungstermin: 17.07.2014
  • Sprache(n): Englisch
  • Auflage: 1. Auflage 2014
  • Produktform: Kartoniert, Paperback
  • Gewicht: 3697 g
  • Seiten: 274
  • Format (B x H x T): 140 x 216 x 16 mm
  • Ausgabetyp: Kein, Unbekannt

Autoren/Hrsg.

Autoren

Wang, Z.

Introduction: Understanding Revolutionary Culture and Cinema 1. From The Life of Wu Xun to the Career of Song Jingshi: Adapting Private Studio Filmmaking Legacy for a Nationalized Cinema, 1951-1957 2. From Revolutionary Canon to Bourgeois White Flag: Blooming Flowers and the Full Moon (1958) in the Maoist Campaigns 3. From "a Hundred Flowers" to a "Poisonous Weed": Dangerous Opportunities for Satirical Comedies, 1955-1958 4. From Revolutionary Romanticism to Petty Bourgeois Fanaticism: The Great Leap Forward and Filmmakers' Stylistic Return to the Past, 1958-1960 5. From Disaster to Laughter: Making Comedies in a Changing Political Landscape, 1959-1963 6. From Conflicting Authorities to Diverse Masses: Early Spring in February (1964) as 'Sugarcoated Poison' Conclusion: From the Ebb of the Revolution to the End of Revolutionary Cinema, 1967-1979