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Nikolai Evreinov: »The Storming of the Winter Palace«

Medium: Buch
ISBN: 978-3-03734-991-5
Verlag: Diaphanes Verlag
Erscheinungstermin: 15.09.2017
vorbestellbar, Erscheinungstermin ca. Dezember 2019
In 1920, the third anniversary of the October Revolution, The Storming of the Winter Palace was performed with a cast of 10,000. But as a reenactment this mass spectacle, directed by Nikolai Evreinov, was deceptive. It was intended to recall something—the storming of the Winter Palace as the beginning of the revolution—that it itself produced as a theatrical medium. This volume reconstructs the event with texts, photographs, and drawings, and shows how not only in the Soviet Union did the photograph of the theatrical “storming” become a historical document of the October Revolution.In 1920, the third anniversary of the October Revolution,
The Storming of the Winter Palace
was performed with a cast of 10,000. But as a reenactment this mass spectacle, directed by Nikolai Evreinov, was deceptive. It was intended to recall something—the storming of the Winter Palace as the beginning of the revolution—that it itself produced as a theatrical medium. This volume reconstructs the event with texts, photographs, and drawings, and shows how not only in the Soviet Union did the photograph of the theatrical “storming” become a historical document of the October Revolution.

Produkteigenschaften


  • Artikelnummer: 9783037349915
  • Medium: Buch
  • ISBN: 978-3-03734-991-5
  • Verlag: Diaphanes Verlag
  • Erscheinungstermin: 15.09.2017
  • Sprache(n): Englisch
  • Auflage: 1. Auflage 2017
  • Serie: DENKT KUNST
  • Produktform: Kartoniert
  • Gewicht: 736 g
  • Seiten: 320
  • Format (B x H): 153 x 255 mm
  • Ausgabetyp: Kein, Unbekannt

Autoren/Hrsg.

Herausgeber

Arns, Inke

Inke Arns ist Direktorin des Hartware MedienKunstVerein (HMKV) in Dortmund (www.hmkv.de). Seit 1993 freie Kuratorin und Autorin mit den Schwerpunkten Medienkunst und -theorie, Netzkulturen, Osteuropa. Nach einem Aufenthalt in Paris (1982–1986) Studium der Slawistik, Osteuropastudien, Politikwissenschaften und Kunstgeschichte in Berlin und Amsterdam (1988–1996), 2004 Promotion an der Humboldt-Universität zu Berlin mit einer Dissertation zum Paradigmenwechsel der Rezeption der historischen Avantgarde und des Utopie-Begriffs in (medien-)künstlerischen Projekten der 1980er und 1990er Jahre in Ex-Jugoslawien und Russland. Sie kuratiert(e) viele Ausstellungen, zuletzt u.a. am Haus der Kulturen der Welt (HKW, Berlin). Autorin zahlreicher Beiträge zur Medienkunst und Netzkultur und Herausgeberin von Ausstellungskatalogen.www.inkearns.de

Sasse, Sylvia

Sylvia Sasse ist Professorin für Slawistische Literaturwissenschaft an der Universität Zürich. Sie ist Mitbegründerin des ZKK (Zentrum für Künste und Kulturtheorie), Mitglied des ZGW (Zentrum Geschichte des Wissens) und Mitherausgeberin von 'Geschichte der Gegenwart' (www.geschichtedergegenwart.ch).

Chubarov, Igor

Igor Chubarov ist Philosoph und Professor an der Staatlichen Universität Moskau. Er ist wissenschaftlicher Mitarbeit des Instituts für Philosophie der Russischen Akademie der Wissenschaften und Redakteur des Magazin Logos. Er publizierte zu Moderner Kunst und Proletarischer Kunst der frühen Sovjetunion, Geschichte der russischen Philosophie, Theorien der Macht, Theorie der Maschinen, Medientheorie und Evreinov.

7 - 20Foreword (Sylvia Sasse)21 - 22The Storming of the Winter Palace (1920) (Nikolai Evreinov)23 - 29The Storming of the Winter Palace (Nikolai Evreinov)30 - 49The Storming of the Winter Palace (Nikolai Evreinov)50 - 54The Storming of the Winter Palace (Nikolai Evreinov)55 - 58Open-Air Theater (1920) (Konstantin Derzhavin)59 - 60A Miracle (1920) (Konstantin Derzhavin)61 - 63The Mass as Such (1920) (Konstantin Derzhavin)64 - 66The Storming of the Winter Palace (Konstantin Derzhavin)67 - 68What is required of the Audience during the Production (1920) (Iosif Slepian, Dmitri Tëmkin)69November Eight 1920 (1920) (Lev Nikulin)70 - 74Baltic Sea (1932) (Lev Nikulin)75 - 80On Mass Actions and More Important Things (1932) (Sergei Radlov)81 - 87Nikolai Evreinov (1960) (Iuri Annenkov)88 - 91Mass Spectacles (1960) (Nikolai Petrov)93 - 128Photographs of the 1920 staging in sequence131Announcement of the Decoration of Petrograd during the Third Anniversary Celebrations of October (1920) (Anonymous)132 - 133On the October Celebrations (1920) (Vlagin)134 - 135The Staging of the Storming of the Winter Palace (1920) (Anonymous)136 - 137An Exhibition in Memory of the Great October (1920) (F. Lenski)138At a Rehearsal for the Staging of The Storming of the Winter Palace (1920) (Anonymous)139Motion Pictures and the Staging of The Storming of the Winter Palace (1920) (Anonymous)140 - 141The Storming of the Winter Palace (Anonymous)142Proletarian Action (Anonymous)143 - 147On Uritski Square (Impression of a Muscovite) (1920) (Nikolai Shubski)148 - 151The Storming of the Winter Palace (1920) (Anonymous)152 - 158The Chaos of the Arts (1921) (Arthur Holitscher)159 - 166The Pageants of 1920 (1922) (Adrian Piotrovski)167 - 176The Successes of the New Theater (1922) (Platon Kerzhentsev)177 - 196Theatricalized Life (1926) (René Fülöp-Miller)197 - 211The Monumentalist Style of the Revolutionary Spectacles (1930) (Nina Gourfinkel)212 - 215The Theaters and Pageants of Petrograd in the Epoch of War Communism (1933) (Aleksei Gvozdev, Adrian Piotrovski)216 - 222Cinema and Theater. Nikolai Evreinov (1943) (Sergei Eisenstein)225 - 231History is Written with the Lens (1971) (Leonid Volkov-Lannit)233 - 253Photographs of the theatrical storming of the Winter Palace as historical documents257 - 263Nikolai Evreinov‘s “Revolution In Itself” (Igor Chubarov)269 - 279“History is Written with the Lens”: How the Photo of the Theatrical Storming becomes a Historical Document (Sylvia Sasse)281 - 289Battlefield History: Artistic Reenactments as Participatory Deconstructions of History (Inke Arns)293 - 302List of figures303 - 315Glossary317 - 320Index7 - 20Foreword (Sylvia Sasse)21 - 22The Storming of the Winter Palace (1920) (Nikolai Evreinov)23 - 29The Storming of the Winter Palace (Nikolai Evreinov)30 - 49The Storming of the Winter Palace (Nikolai Evreinov)50 - 54The Storming of the Winter Palace (Nikolai Evreinov)55 - 58Open-Air Theater (1920) (Konstantin Derzhavin)59 - 60A Miracle (1920) (Konstantin Derzhavin)61 - 63The Mass as Such (1920) (Konstantin Derzhavin)64 - 66The Storming of the Winter Palace (Konstantin Derzhavin)67 - 68What is required of the Audience during the Production (1920) (Iosif Slepian, Dmitri Tëmkin)69November Eight 1920 (1920) (Lev Nikulin)70 - 74Baltic Sea (1932) (Lev Nikulin)75 - 80On Mass Actions and More Important Things (1932) (Sergei Radlov)81 - 87Nikolai Evreinov (1960) (Iuri Annenkov)88 - 91Mass Spectacles (1960) (Nikolai Petrov)93 - 128Photographs of the 1920 staging in sequence131Announcement of the Decoration of Petrograd during the Third Anniversary Celebrations of October (1920) (Anonymous)132 - 133On the October Celebrations (1920) (Vlagin)134 - 135The Staging of the Storming of the Winter Palace (1920) (Anonymous)136 - 137An Exhibition in Memory of the Great October (1920) (F. Lenski)138At a Rehearsal for the Staging of The Storming of the Winter Palace (1920) (Anonymous)139Motion Pictures and the Staging of The Storming of the Winter Palace (1920) (Anonymous)140 - 141The Storming of the Winter Palace (Anonymous)142Proletarian Action (Anonymous)143 - 147On Uritski Square (Impression of a Muscovite) (1920) (Nikolai Shubski)148 - 151The Storming of the Winter Palace (1920) (Anonymous)152 - 158The Chaos of the Arts (1921) (Arthur Holitscher)159 - 166The Pageants of 1920 (1922) (Adrian Piotrovski)167 - 176The Successes of the New Theater (1922) (Platon Kerzhentsev)177 - 196Theatricalized Life (1926) (René Fülöp-Miller)197 - 211The Monumentalist Style of the Revolutionary Spectacles (1930) (Nina Gourfinkel)212 - 215The Theaters and Pageants of Petrograd in the Epoch of War Communism (1933) (Aleksei Gvozdev, Adrian Piotrovski)216 - 222Cinema and Theater. Nikolai Evreinov (1943) (Sergei Eisenstein)225 - 231History is Written with the Lens (1971) (Leonid Volkov-Lannit)233 - 253Photographs of the theatrical storming of the Winter Palace as historical documents257 - 263Nikolai Evreinov‘s “Revolution In Itself” (Igor Chubarov)269 - 279“History is Written with the Lens”: How the Photo of the Theatrical Storming becomes a Historical Document (Sylvia Sasse)281 - 289Battlefield History: Artistic Reenactments as Participatory Deconstructions of History (Inke Arns)293 - 302List of figures303 - 315Glossary317 - 320Index